Dressler was mainly responsible for the decorative architectural panels, many of which can still be seen in the local area of Birkenhead and Liverpool, as well as in the local museums. The brightly coloured panels, inspired by the work of the Florentine sculptor Luca della Robbia and his family, did not prove to be very popular on the dark brick buildings of the period, the pottery turning to large two-handled vases, presentation wares, wall chargers and plates, as well as ceramic clock cases, tiled window boxes, numerous types of vases and similar wares, as a source of income. Dressler left the pottery in 1897 to establish his own pottery, the Medmenham Pottery, in Marlow, Buckinghamshire.
Jamesy McNaught
Tuesday, 17 February 2015
Della Robbia
Dressler was mainly responsible for the decorative architectural panels, many of which can still be seen in the local area of Birkenhead and Liverpool, as well as in the local museums. The brightly coloured panels, inspired by the work of the Florentine sculptor Luca della Robbia and his family, did not prove to be very popular on the dark brick buildings of the period, the pottery turning to large two-handled vases, presentation wares, wall chargers and plates, as well as ceramic clock cases, tiled window boxes, numerous types of vases and similar wares, as a source of income. Dressler left the pottery in 1897 to establish his own pottery, the Medmenham Pottery, in Marlow, Buckinghamshire.
Wednesday, 12 November 2014
The Glasgow Art Club
THE BUILDING PROJECT – Ready to go!
Tuesday, 4 November 2014
Painting Class at House For An Art Lover
The Glasgow Guild
Wednesday, 1 October 2014
Creative Mackintosh Festival
Tuesday, 30 September 2014
William Arthur Smith Benson (British 1854-1921)
‘What I’d like to find under the Christmas tree’
Under the Christmas tree I would like to find this pair of candlesticks which is a well-known design by William Arthur Smith Benson (British 1854-1921) and dates from around 1900. Benson was an English Architect and Designer whodesigned furniture until he opened a workshop for the production of turned metalwork in 1880 after designingcopper pieces for his good friend William Morris. The candlesticks themselves are very interesting. Copper sconces at one end are balanced on hooped feet by a brass sphere at the other. The juxtaposition of the spherical weight and the dominant straight line of the balanced arm work well. I like them as my eyes are drawn around the object taking it in as a whole. There are variations on this design but I think this pairare a very good example and would work well displayedindividually or together.
Monday, 12 May 2014
Scottish Paintings and Sculpture Sale 22nd May 2014
Sale No. 409
Scottish Paintings and Sculpture
This is our newest sale for Lyon and Turnbull and it incorporates amazing Scottish Artist from Allan Ramsay right the way forward to Alberto Morocco.
Lot 8 ALLAN RAMSAY (SCOTTISH 1713-1784) HALF LENGTH PORTRAIT OF LORD JOHN MURRAY (1711-1787) 76cm x 63cm (30in x 25in)
Estimate: £20000 - 30000
Lot 18
ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) TENDING THE STOVE Signed, oil on board 23cm x 13cm (9in x 5in) Estimate £3,000-5,000
I have to say my favourite in the sale is...
Lot 33 BESSIE MACNICOL (SCOTTISH 1869-1904) IN THE PARK 16.5cm x 11.5cm (6.5in x 4.5in)
Estimate: £3000 - 5000
A great example of her typical bonneted ladies. This one in particular is very important as it is illustrated in the Bessie MacNicol book.
Anyway I am rushing to get this post done, check out the rest of the sale at
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